Living together at 206-1/2 West Main Street, Denison, Texas, in April 1910, was Agnes [Orviss] Riddle, 27, a masseuse in a beauty parlor, and her eight-year-old daughter Gladys Riddle. The U.S. Census classed both as "mulatto." Part Native
American, Gladys Riddle (1902–1971) was born on a reservation in Lehigh, Coal
County, Oklahoma. Gladys became an expert seamstress at a young age. She left
Denison sometime before 1920 to attend Fisk University
in Nashville. Between 1910 and 1920 many people
moved from Denison to Southern California. After graduation from
Fisk, Gladys Riddle joined her mother, Agnes, in Los Angeles, where Agnes
was running a boarding house, predominantly for railroad workers. Gladys became a
noted costumier (dress designer) for MGM Studios in Hollywood
during the 1920s. Among her clients were Marion Davies, William Randolph
Hearst, Norma Shearer, Lord Mountbatten, Rosalind Russell, and Joan Crawford.
Crawford later retained Gladys as her exclusive dressmaker, and the two of them
remained friends for years.
Gladys met the
famous musician Lionel
Hampton in 1932 in California; she was
already a successful businesswoman, although she sometimes referred to herself
a "just a little dressmaker." She married Lionel in 1936 at Yuma, Arizona,
while the two were traveling to New York, where he was to join the Benny
Goodman Trio. Gladys gave up her own career and later moved with Hampton to New
York. She became his business manager and sometime booking agent. Gladys's aptitude
for business was no less remarkable than her talent for dressmaking. In the
early 1940s, Malcolm X's boss in Harlem was a numbers runner. In a 1964
interview he said, "My boss's wife and Gladys Hampton were the only two
women I ever met in Harlem whose business ability I really respected." Gladys died in 1971 at the age of 69;
Lionel died in 2002 at the age of 94. It is interesting to imagine the child
Gladys in 1910 exploring the steep wooden stairway next door to her and Agnes's
rooms on Main Street and perhaps watching photographer George W. Moore, who
lived and worked nearby at 210-1/2 West Main Street, arrange people and
backdrops for portraits. What influence might such an early experience with
photography have had on her imagination and her future life in Hollywood?
Fine Arts African American Biograph Index Susan Hawkins © 2024 If you find any of Grayson County TXGenWeb links inoperable, please send me a message. |